Little Black Flies
All his life, Eddie 9-volt has acted on instinct. Aged just 15, this old-soul artist turned away from the path of college and jobs to burst all guns blazing onto the blues club circuit of his native Atlanta, Georgia.
Now, released in 2021 on Ruf Records, Little Black Flies is the 24-year-old’s most impulsive move to date. Tracked live in Atlanta’s Echo Deco Studios through November 2020, once again with Lane turning the knobs, plus a who’s who of the state’s best musicians (including guitar icon Cody Matlock), it’s an album that Eddie planned to feel like it’s unfolding right in front of you – right down to the clink of bottles and loose studio banter. “I’ve seen a trend in modern recording,” he says. “There’s no soul. I took inspiration from Albert Collins, Otis Rush, Mike Bloomfield. All those great records were done live with their buddies and no overdubs. I wanted the playing to be spot-on – but even if we made a mistake, we kept going.”
Little Black Flies represents a passing of the baton to a bandleader that many credit for reinvigorating the South’s proud roots scene. Born in June 1996, to a non-musical family living ten miles south of Atlanta, Eddie still remembers his fateful first guitar. “I was six and it was one of those with the speaker in it – get the most bang for your buck, y’know?” he muses. While manufactured pop dominated the airwaves as he came up at Union Grove High School in nearby McDonough, Eddie forked hard left, hanging with Lane and his friends, and digging back into the catalogues of blues giants like Muddy Waters, Howlin’ Wolf, Freddie King and Rory Gallagher. “I studied the older cats,” he explains, “saw what made them groove and tick.”
As for his freewheeling lyrics, Eddie credits his home life: “I’ve been making words up on the spot for years – my Uncle Brian taught me how to do that at our family fish fries. How to make people laugh, how to hold an audience’s attention.”
Eddie has earned a respect on the scene that made it easy to recruit local heroes for the Little Black Flies sessions. “Every player is the best of their craft,” says Eddie of his studio band, “and that’s why I picked ’em. We had the Tedeschi Trucks Band’s bass player Brandon Boone and the icon himself, Cody Matlock, on guitar. Everybody’s mood was so exciting. The energy was there.”
This record catches everything that went down at a session that felt more like a party, as Eddie leads the lineup through nine new songs – plus three classic covers – that retool the soul-blues genre on his own terms, reminding a new generation why this music hits so hard. Horns blast, drums rattle, slide guitars howl and at the heart of it all is Eddie’s stinging guitar and unmistakable vocal, the bandleader thrilling us one minute with his soul-man holler, then spinning story songs like he sat on the next barstool.
